Jonathan Swift’s Gulliver

Martin Jenkins’s retelling of Gulliver’s Travels for young readers, illustrated by Chris Riddell and winner of the 2004 Kate Greenaway Medal.

A Classic, Retold

Jonathan Swift’s Gulliver is Martin Jenkins’s prose retelling of Swift’s satirical classic, adapted for young readers and illustrated by Chris Riddell. Jenkins distills Gulliver’s voyages to Lilliput and beyond into a version children can follow, while keeping the wit of the original intact.

A Kate Greenaway Medal Winner

The book won the Kate Greenaway Medal in 2004, one of the UK’s most prestigious children’s book illustration prizes. The award recognizes Chris Riddell’s artwork, though both his and Jenkins’s names appear on the book together.

All Four Voyages

This 143-page retelling covers all four of Gulliver’s journeys, Lilliput, Brobdingnag, Laputa, and the land of the Houyhnhnms, condensed for readers roughly ages 8 to 12 without losing Swift’s satirical edge. Jenkins keeps the political factionalism, religious squabbling, and human folly that made the original a work of pointed social commentary, trusting younger readers to catch more of it than adults might expect.

An Illustration Landmark

Chris Riddell’s dense, comic pen-and-ink drawings carry much of the book’s tone, and they’re what earned it the 2004 CILIP Kate Greenaway Medal, the UK’s top prize for illustration in a children’s book. The judging panel called it “a tour de force,” praising its 144 pages of illustration as “fantastic” and “faultless.” The award recognized Riddell’s artwork specifically, but the book is very much a joint achievement between his pictures and Jenkins’s text.

Adapting Without Softening

Retelling Gulliver’s Travels for children usually means cutting the parts of Swift’s satire that assume an adult’s political context, but Jenkins’s version keeps more of that edge than most adaptations attempt. The Houyhnhnms section in particular, Swift’s bleakest commentary on human nature, stays largely intact, trusting Riddell’s illustrations and the pacing of the retelling to carry a young reader through material that doesn’t get simpler just because the audience is younger.